On the Song of Songs: Part 2, the Metaphor (Sex in the Garden)

On the Song of Songs: Part 2, the Metaphor (Sex in the Garden)
In our opening commentary on the Song of Songs of Solomon, titled The Allegory, we made the assertion that the poem itself is an allegory which represents the love which Yahweh God has for the children of Israel as a nation, His bride, and which the bride is portrayed as having for her husband, which is Yahweh her God. We shall see further evidence of that allegory as the poem commences. However in spite of that underlying meaning, the work is also a love poem between an actual husband and wife, Solomon and his bride, and its metaphors represent their love and desire for one another as well as their describing acts of love-making. So here we shall assert that the metaphors employed in the description of those acts shall also give us greater insight into the meanings of similar metaphors and allegories which are found in other portions of the Biblical literature.
Up to this point, the dialogue between the husband and the bride grows in intensity as it progresses from its beginning in verse 7 of chapter 1. After the husband begins to extol the beauty of the bride, she in turn describes him as sitting at his table, as the King James Version has it, as her own bodily scent fills the air and she confesses that his odor is appealing to her. Then she exclaims that “he shall lie all night betwixt my breasts”, whereupon we should realize that the table is a metaphor, and not a literal table, and she compares her lover to something which can burn intensely, which is camphire or asphalt, in the vineyards, a place where one may not expect to find camphire. So then she once again declares her lover’s appeal and begins to speak of their bed and its surroundings before she describes herself with flowery metaphors.















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